Author: Christos

This beautiful 18th century aqueduct can be found on the road heading towards Lemesos (Limassol) in the area of Kamares, which takes its name from the distinctive arches (‘kamares’ in Greek).

An open-air sight, the aqueduct was built in the Roman style in 1746 by the Turkish governor of Larnaka, Bekir Pasha, who funded it out of his own sources to carry water to Larnaka (Larnaca) from a source about 10 km away. The aqueduct was abandoned in 1939 and its function replaced by modern pipes.

There are more than 20 arches still intact, and these are strikingly illuminated at night. A cobbled area with benches and a footpath allow you to enjoy the site of this monument, with the path linking up with Larnaka Salt Lake.

Built on a small hill that overlooks the area of the Salt Lake, the quaint stone-built chapel of Agios Georgios dates back to the 13th century when it was the church of the Medieval village of Agrinou, and serves as a miniature piece of late Byzantine architecture.

The village and the church were destroyed by the Egyptian Mameluks, who invaded in 1426 and also captured the Lusignan King Janos. The church was soon repaired and the king was freed, but an annual tax was paid to the Mameluks until the Ottoman occupation.

The church served as a monastery in the 18th-19th centuries, but the annexed structures were demolished in the 20th century, thus restoring the original setting of the church. A wall painting of the saint still survives on the north wall.

Zuhuri Mosque lies between the Kebir (Buyuk) Mosque and the Church of Agios Lazaros. It was built in the middle of the 19th century and is an important Muslim religious centre. Its minaret collapsed in the 20th century.

Terra Santa is the church of the Latin community of Larnaka (Larnaca) and is also known as Santa Maria delle Grazie. The architectural style of the convent combines impressive Renaissance and Baroque characteristics.

Franciscan monk Callixte Martel founded the church and the convent in 1596, mainly to house Latin pilgrims visiting the Holy Land. In 1724, a larger church and convent replaced the original buildings, which in turn were demolished in 1842 to be replaced by the present church structures.

The Catholic nuns of Italian origin at the convent have a long tradition of philanthropic services to the community of the town. They currently run an old people’s home on the church grounds.

Perched on a rocky peak, 750 metres above sea level, legend tells that Stavrovouni Monastery was founded in the 4th century by St. Helena, mother of Emperor Constantine the Great, who left a relic of the Holy Cross at the monastery.

The monks have strict rules akin to those at Mount Athos in Greece. Women are not permitted to enter the monastery, nor is the use of camera or video permitted. Men visiting must be appropriately dressed.

In contrast, the monastery of Agia Varvara on the foothills of Stavrovouni is accessible to all visitors, and the monks here are known for their iconography skills.

An impressive annual ceremony and festival is held at Stavrovouni Monastery on September 14 to mark the day of the Raising of the Holy Cross.

Considered to be one of the most interesting surviving structures from the Frankish Period on the island, the Royal Chapel was built in 1421 by the Lusignan King Janus.

The building is a small, single-aisled vaulted structure without an apse. In the past a portico enclosed the chapel on all sides (except for the east side). Up to the end of the 19th century, the ruins of a manor house or a monastery attached to the chapel were visible. Today only traces of these survive.

The chapel was originally entirely painted, but many of the paintings were destroyed during the course of time. On the eastern façade, King Janus is depicted in a wall painting, along with his second wife, Charlotte de Bourbon. The couple are kneeling in front of the Crucifixion cross, whilst another figure kneeling by the feet of Jesus at the scene of the Entombment is believed to be Hugh Lusignan, brother of Janus and Latin Bishop of Nicosia (Lefkosia).

Included in the mural decoration of the chapel is a series of coats-of-arms of the Medieval Kingdom of Cyprus, as well as graffiti carved into the frescoed walls. The graffiti belongs to various pilgrims and travellers, and the dates carved with them fall within the period between the 15th and the 16th centuries.